While Cheever's 'The Enormous Radio' revolves around the radio to a large degree, 'The Antique Clock' only alludes to the clock subtly in the beginning. I was trying to channel Cheever here, as he introduces the reader to Jim and Irene with a brief description of their backstory before the tale begins. I introduce various aspects of Edgar in the beginning of mine, writing about his family and the type of values Edgar has. However, I decided to have these over the course of the starting paragraphs rather than explain everything in two sentences. In short stories, it is these little, key details that allow the reader to have sufficient information and then engage with the story which, in short fiction, is usually faster. For example, Cheever reveals that the radio broadcasts their neighbour's conversations very quickly. So in my third paragraph I explicitly said that the clock is the object of Edgar's mission although I do not state why. I tried to plant the information within an earlier paragraph, as although Cheever's straight-forward, grounded style is effective, I wanted to surprise the reader somewhat.



I think that often happens, you plan out something and then once you start writing it completely changes. Although it can be irritating I think it's good that work can have the freedom to do that! I like the details you put in at the beginning, about city life and the cobbles. They set the scene well and are definitely reminiscent of Cheever!
ReplyDeleteThrough reading your creative piece, 'The Antique Clock' it is apparent that you have facilitated Cheever's style based on the analysis that you have given here. I find your reasons for the deviation compelling and your admitted genre-hop fantastic, as it is my opinion that the best original works are often begun as something else. Take Rian Johnson’s debut feature film Brick, for example.
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